Paintings

Research for the Hemp Initiative revealed that canvas – a traditional support for artists paintings – was first produced from hemp, Cannabis sativa (Linnaeus), “canvas” being a mispronunciation of ‘cannabis’ attributed to the Dutch.

A hardwearing fibre and one of the strongest organic fibres, cannabis hemp was one of the first plants cultivated by humans for multiple uses including cloth. Art conservation work showed that around 1820, just before the cotton gin really took off, a large proportion of master artists used hemp as a support.

What is often referred to generically as “linen” would have been hemp, especially bed clothes and under garments. Cotton and real linen were as expensive as silk.

Hemp rag was the major feedstock for “rag paper” until the 1870s, collected by the ‘rag and bone men’. After the 1820s hemp rag declined being replaced by cotton.

Fabriano grew fields of hemp to supply its paper manufacturing.

The Arsenal in Venice was used to store the hemp cordage for the Venetian navy.

The availability of hemp is due to it being favoured by mariners. Passed through smoke from a bitumen fire, its waterproofing and ability to resist rot is enhanced for all manner of maritime uses, sails, cordage, uniforms, caulking, etc. Even the seeds making a good porridge and the oil useful in fine paints and timber finishes. The first usage for sail is often traced to Nordic Vikings who exported their ship building skills to the rest of Europe through conquest and trade.

The first usage for cordage and paper originating in China. It was the attempt to supplant hemp organic products with petroleum synthetic products that saw it hemp demonised in the 1920s and 1930s by the motor vehicle petroleum and associated corporations including the Hearst “yellow journalism” news papers. Hemp oil can be substituted for diesel fuel with some minor engine modification.

Having found a suppliers of hemp fabric in Australia I tested a variety of weaves and weights to find those that took collagen (rabbit skin) glue well and did not buckle from uneven tension on warp and weft weave. I found a supplier of heavy weight 100% hemp, an upholstery fabric that took glue well, retained its surface shape, and produced a very adequate painting support.

An illustration short clip of how effective the hemp/rabbit skin glue combination on strainer bars (fixed corners). The drum tightness is a pleasure to paint on, https://youtube.com/shorts/RWtjfulsslc. Painting examples are below.

Cotton “duck” is a generic mispronunciation of the Dutch word for sailing canvas – ‘doek’. While cotton fabric is softer it is also less resistant to wear and rot. The growing of cotton requires more inputs, fertilizers, herbicides, fungicides and pesticides, water and fuel for machinery.

The benefits of hemp as a rotation crop are well understood and well documented. Impediments to greater exploitation of hemp for industrial uses rests on persistent falsehoods and misinformation designed to marginalise hemp production and product development.

2024

“36 Views of Pyrmont – Blackwattle #1” 2024
oil on hemp 23.5(h) x 40(w) cm
“36 Views of Pacific Palms – Boomerang Beach #1” 2024
oil on cotton 50(h) x 55(w) cm [Sold]
“36 Views of Fleurieu – The Farmhouse #1” 2024
oil on linen 20.7 (h) x 29.5 (w) cm

2023

“Behind Whitehaven” 2023
oil on cotton doek
“Ables Lane” 2023
oil on cotton doek

2022

“Kids” (1) 2022
oil on cotton doek
(Commissioned portrait)
Intersect 2022
oil on cotton doek

2020

“The Aunties” 2020
oil on hemp
commissioned portrait
‘Cadastral Warren’ 2020
charcoal on Fabriano paper, bulldog clips, recycled art packing crate
119 (h) x 179 (w) cm
‘Ecrit du Murmur after Jean Tanguely’ (detail) 2020
Reclaimed art travelling crate, timber filler, reclaimed timber, chain ring, threaded rod, nuts and bolts, ink, broom handle, chain, timber off-cuts, perforated galvanised strap, inkjet print
dimension variable

Catalogue: Great White Bird Trail

2019

‘Gullya Gula’ 2019
oil on hemp
120 (h) x 85 (w) cm
‘BaraBass Joyce’ 2019
oil on hemp
120 (h) x 85 (w) cm
‘Scott Domican’ 2019
oil on hemp
120 (h) x 85 (w) cm

Catalogue: Against Hollywood

2018

‘Cook Ku’ 2018
oil on hemp
90(h) x 100(w) cm
Winner – Open Section, GreenWay Art Prize, 2018
‘Proverbs of Hell 1’ 2018
oil on cotton doek
120 (h) x 85 (w) cm
‘The Cooked’ 2018
oil on cotton doek with leather and reclaimed timber frame
64cm(h) x 54cm(w)
(Private collection)
‘Olympic’ 2018
oil on marine ply
30cm(h) x 39cm(w).
(Private collection)

2017

‘Homologate the Ecstasy’ 2017
chalk, charcoal, collage hand made hemp paper, block print, acrylic, on three sheets of Fabriano paper
170cm(h) x 270cm(w) total.

2016

‘Marloo – KSCA’ 2016
oil on marine ply
39cm(h) x 40cm(w).
‘Marloo – Mt Marsden’ 2016
oil on marine ply
39cm(h) x 40cm(w).

2015

2015-01-30_Black Face
‘Black Face’ 2015
oil on cotton doek
66″(h) x 78″(w)
168cm(h) x 198cm(w) approx.

2014

'Eddie' 2014, oil on cotton, 120cm(h) x 170cm(w)
‘Eddie’ 2014
oil on cotton doek
120cm(h) x 170cm(w)
(Private Collection)

2012

‘Savannah Eastlakes’ 2012
oil on cotton doek
173.5cm(h) x 230.5cm(w)
'Hawthorne Canal'
‘Hawthorne Canal’ 2012
oil on cotton doek
79cm(h) x 92.5cm(w).

2011

‘Birdies’ 2011
oil on cotton doek
30cm(h) x 20cm(w) approx
(Private collection)
‘Hawthorne Canal’ 2011
oil on cotton doek
42cm(h) x 35cm(w) framed.

2010

‘Denison St’ 2010
oil on cotton doek
30(h) x 40(w) approx
(Private collection)
‘Denison St 2’ 2010
oil on cotton doek
30cm(h) x 40cm(w) approx.
‘The Tempest – Jake Lloyd Jones’ 2010
oil on cotton doek
122cm(h) x 137.5cm(w).

2009

‘Trauma Porn – Anna Nicole Rau’ 2009
oil on cotton doek
40cm(h) x 30cm(w).

2008

‘Bruce Ashley – Genius of the GreenWay’ 2008
oil on cotton doek
107cm(h) x 152.5cm(w)
Winner of inaugural GreenWay Prize 2010
‘Marrickville Road’ 2008
oil on cotton doek
40.5cm(h) x 50.5 cm(w).

2007

Tempe Rail (2007)
‘Tempe Rail’ 2007
oil on cotton doek
102cm(h) x 137.5cm(w)
(Private collection)
‘King St Cineastes’ 2007
oil on cotton doek
102 cm(h) x 137.5cm(w).
‘Unwins Bridge’ 2007
oil on cotton doek
102cm(h) x 137.5cm(w).
‘Stephen Mori and Kirkbride’ 2007
oil on cotton doek
102cm(h) x 137.5cm(w)
Salon des Refuses (Archibald) 2008

2006

‘Johnson Park’ 2006
oil on cotton doek
40.5cm(h) x 50.5cm(w).

2005

‘Arlington’ 2005
oil on cotton doek
91cm(h) x 122cm(w)
(Private collection)
‘Hothouse Sunrise’ 2005
oil on cotton doek
91.5cm(h) x 121.5cm(w).

2004

'Cooks River - Whitlam Park' (2005) oil on cotton 76.5 x 101.5 cm
‘Cooks River – Whitlam Park’ 2004
oil on cotton doek
76.5cm(h) x 101.5cm(w).
'Cooks River - Alexandria Canal' (2005) oil on cotton 76.5 x 101.5 cm
‘Cooks River – Alexandria Canal’ 2004
oil on cotton doek
76.5cm(h) x 101.5 cm(w)
'Johnson Park' (2004) oil on cotton 101.5 x 152 cm
‘Johnson Park’ 2004
oil on cotton doek
101.5cm(h) x 152cm(w).

2003

'Figure on Beach' (2003)
‘Figure on Beach’ 2003
oil on cotton doek
101cm(h) x 152cm(w)
(Private collection)
‘Iron Bark Cove’ 2003
oil on cotton doek
101.5cm(h) x 152cm(w)
(Private collection)

2002

(You're being used) Nike (2002) oil on cotton 48 x 60 inches
‘Nike’ 2002
oil on cotton doek
122cm(h) x 152cm(w)
(Private collection)
'Tuvalu - hard work' (2002) oil on cotton 44 x 60 inches
‘Tuvalu – Hard Work’ 2002
oil on cotton doek
111cm(h) x 152cm(w)
(Private collection)

2000

‘Recruiting Drive’ 2000
oil on cotton doek
85cm(h) x 100cm(w) approx
(Private collection)
'Camellia Grove Hotel' (2000) Oil on cotton 25cm x 30 cm approx
‘Camellia’ 2000
oil on cotton twill
28cm(h)  x 45cm(w) approx.

1999

“Mr Warren Marx” 1999
oil on cotton doek
Salon des refuses (Archibald Prize) 2000

1998

‘Bondi Road’ 1998
acrylic on cotton
10cm(h) x 15cm(w) approx.

1996

‘Bondi Icebergs’ 1996
oil on cotton duck
22.5cm(h) x 33cm(w)
(Private collection)

1993

“Blonde Black and Blue” 1993
oil on cotton doek

1991

“Sophia Amore” 1991
oil on ply
180cm(h) x 90cm(w)
Fresh Kills 1991
oil on ply
180cm(h) x 90cm(w)

1990

“Psycko Junk Cameo Punk” 1990
oil on cotton doek two panels (image cropped at top)