2019
White Creek Cottage Residency
An artist residency awarded by Inner West Council. Begun in October of 2018 and completing in October of 2019. The chance to creatively explore materials and themes to do with the environment, the Sydney Green Ring, and the urban wildlife habitat.
Due to the Amalgamation of the three Councils there was some lag time organising the new tenants and so the residency was extended to April 2020. By which time COVID19 restrictions had kicked in upsetting the timeline and completion of some of the proposed projects.
All in all an excellent location and a productive residency. Many thanks to the crew from Inner West Council that makes it happen, and their ongoing support for the arts.
2016
The Hemp Initiative
The Cementa ceremonial gate by artist, Gilbert Grace. The hempcrete wall was constructed from Australian and imported hemp hurds/shiv, Australian certified lime binder, with oxides as colouring agent. Hempcrete as a building product is one of the many applications of industrial hemp. Thanks to Australian Hemp Masonry for the instruction and support in this project.
The inaugural residency for the Kandos School of Cultural Adaptation is a collaboration with Stuart Andrews of Natural Sequence Farming fame, exploring the potential of low THC industrial hemp, for the purposes of land rejuvenation.
Hemp is one of the first plants to be domesticated by humans, for human and animal food, cloth and paper making fibre. With tens of thousands of industrial applications low THC industrial hemp is sess petrochemical dependent than either flax or cotton, every part of the plant provides raw materials for mature industries, with myriad new applications found annually.
Every product that can be created from mineral oil has, or can be, created from hemp. It is an opportunity that is too good to ignore. The ongoing suppression of hemp is to the detriment of human health, wealth and happiness.
Retro-innovation is the underlying zeitgeist that has seen the revival of crafting, of the revaluing of artisanal skills, and the desire for a return to “heirloom quality”. The revival of real skills are necessary for resilience into the 21st century, to add meaning and beauty to our lives, and to live with grace and dignity within ecologically defined limits.
See also the article: Hemp Hope in Kandos, Mudgee Guardian, 5 December, 2016.
2015
Deep Green and Bright Blue – Downing Centre
Deep Green and Bright Blue – SCA Lilyfield
2013
Inner West Light Rail Shelter Screens
Arlington Light Rail
Focusing on local history including manufacturing the screen depicts some of the more salient episodes in the locality. The Arlington Screen, left to right contains: a paragraph from page 307 of the facsimile of James Cook’s Endeavour journal describing the inhabitants of “New Wales”. Next an illustration of a Kongouro by George Stubbs an inflated Kangaroo skin was the model, the Petersham area had the colloquial name of Kangaroo Ground. “Convicts in Sydney“, 1793, by Filipe Bauza or Juan Ravenet, in relates to James Bloodworth and Sarah Bellamy, convicts who from their allocation of 25 acres each grew their estate to 250 plus acres before losing all in an economic contraction. The Moon Rocket shadowing the convicts is still standing in Johnson Park and was manufactured by Dick West. This text is from an account of how William Bradley came to be commander of the Comet. Comet windmills were produced in a factory adjacent to the goods line and exported globally.
Taverners Hill Light Rail
The Taverners Hill design riffs on the image of the Black Swan. Nassim Nicholas Taleb is a former stock broker and author who is fixated on randomness and mathematics. His book The Black Swan is a best seller and gives authoritative accounts of how randomness interacting with fractal mathematics form the geometry of the universe. The base image is of the outline of Sydney Harbour overlaid on Jackson Pollock’s painting “Blue Poles” a scandalous purchase at the time with deep repercussions with cold war CIA sponsored soft diplomacy. “The Black Swan of Trespass” is the title of the first poem is a collection of verse titled the Darkening Ecliptic, the greatest literary hoax Australia has ever seen that is set in and around the Inner West of Sydney. Promulgated by two Fort Street High School and Sydney University old boys, James Macauley and Harold Stewart, trained poets with an aversion to the unbridled anti-formalism of modernist free verse. Macauley and Stewart were non combatant conscripts stationed at Victoria Barracks in Melbourne. Together Macauley and Stewart in a single afternoon concocted what they thought an apt parody of modernist poetry cobbling together parts of Macauley’s existing unpublished poetry with nonsense grabs from text books, stream of consciousness, and other mock surrealist devises. The target of their jape was Max Harris the 22 year old enfant terrible editor of “Angry Penguins” a modernist literary journal based in Adelaide supported by John Reid of Heide fame. The star of their ruse was a deceased motor mechanic Ernest Lalor Malley, with an interest in mosquitos and bicycles. Macauley and Stewart grew up and lived in the suburbs in and around the locality Taverners Hill. And what is a tavern for but the telling of tall stories and pranks that and deflate stuffed shirts. Macauley began an Anglican, renounced religion and then converted to Catholicism. He went on to become editor of Quadrant another of the journals supported by the CIA’s clandestine soft diplomacy. Stewart emigrated to Japan and become a monk and expert on Japanese artefacts.
Hawthorne Light Rail
The Hawthorne shelter screen design is a collage based on the two types of mangrove common in the Sydney waterways overlaid with various frames from artwork in the Art Gallery of New South Wales that appeared around the time the canal was developed. Originally the park land was mudflats and saltwater marsh with mangroves. With the accumulation of effluent from the housing further up stream the salt marsh became a foetid swamp. The solution was a canal that a ferry could navigate at high tide. One original plan was to connect the Hawthorn Canal via Long Cove Creek to the Cooks River, this being a low point in the ridge line between the two water catchments. Having water from Sydney Harbour flood and flush the slower tidal Cooks River would negate dredging works that CSR had to maintain to get barges to and from its sugar refinery at Canterbury. This was a sister project to a canal linking Botany Bay with Sydney Harbour via Shae Creek and through Redfern, another low point in the ridge line between catchments. Neither canal project eventuated as developments in rail and road transport outpaced and relegated barges.
Other shelter screens on the light rail
Two other local creatives were commissioned as part of the design brief managed by GuppyAssociates, Graham Chalcroft of Vertebrae and Sarah Drury of Slingshot Design.
Super Six
Super Six Tour +
Inner West Food and Art Trail
We interwove sites of significance in the study of asbestos with the Inner West with Food and Art Trail to ensure the appetite for art and refreshment were catered to. More photos at https://www.facebook.com/pages/Super-Six/651703291530145 .
The beauty of the artworks delicately counterpoised the brutality of the (non-) application of law and commerce in the real world. Adrian Clement’s review appeared in Das Platforms Emerging and Contemporary Art, 19 January 2014 http://www.dasplatforms.com/writing/super-six.
The Common Wheel –
Pyrmont Rolling Sketch Tours
A series of sketch tours, a bicycle rally, and a ‘radonneur’ style ride, were part of The Common Wheel residency and exhibition at Accelerator Gallery for Culture At Work, Pyrmont.
ARTcycle Sketch Tours
Surveying the site of the cement works from near the grounds of the Managers House, while David Standfield (with bicycle) describes the day to day realities of living in Kandos while the cement works were operating.
Cementa 13 was an amazing get together of artists, arts administrators, art appreciators and some often bemused, often enthused locals in the rural NSW town of Kandos. The town lost 98 jobs when the cement works closed down, the Bylong Valley is currently in the news for other reasons.
GPS tracking (and some make do infill when the GPS failed) was used to create this drawing using google maps.
View Cementa_13 – Drawing Kandos in a larger map
ARTcycle Sketch Tours and Bicycle Hire have been generously supported by a CASP grant from Regional Arts NSW
2012
Sydney Green Ring – Propositional Works
‘ARTcycle – Residency Action Committee Vehicle’ – Residency and Group Show, INDEX space 2012.
The works illustrate various trees to be found on the GreenWay (and Sydney Green Ring) with suggestions as to proposed or speculative projects that could be accomplished.
This project was supported by a grant from the New South Wales Government – Arts NSW and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments. The program is administered by the National Association for the Visual Arts (NAVA).
2011
Taking a Line for a Ride
‘Sketching the Gamut’ – Group Show, INDEX space, St Peters. October 2011.
‘Taking a Line for a Ride’ is a play upon the phrase attributed to Paul Klee, “Drawing is taking a line for a walk”. Klee’s use of whimsy oft belied the seriousness of his intent, which seemed like an excellent place to begin. As the theme for the exhibition was drawing the Sydney Green Ring, using a bicycle to draw in this way seemed entirely appropriate. The video was a response to Lucas Ihlein’s, Mont Royal, Montreal, time lapse video in the Bicycle Film Festival 2007 ‘Bespoke‘ exhibition at Mori Gallery.
More about the Sketching the Gamut show here, http://thegamutsydney.blogspot.com.au/
This project was supported by a grant from the New South Wales Government – Arts NSW and the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments. The program is administered by the National Association for the Visual Arts (NAVA).
‘Many Hans Make Light Work’
‘In the Night Garden’ – Sydney Fringe Festival, INDEX space, St Peters.
‘Redfern Artist Group’ – Global Gallery, Darlinghurst.
The materials for this installation are all recycled, with the exception of the light fittings. The sculptural hands are from the ‘Presumption of Regularity’ vehicle, and are themselves based upon the cliched and statistically most reproduced image in history, Albrecht Durer’s, ‘Praying Hands’. The mdf used was reclaimed from an installation in The Ghost Show at Hazelhurst Gallery. The pine is a gift of dumpster diving in Hutchinson St, St Peters.
It could be critiqued in terms of Nicolas Bourriaud’s ‘post production’, being inspired by the works of Christian Boltanski and Hans Haacke.
It got its first outing during the ‘In The Night Garden’ show, part of the 2011 Sydney Fringe Festival. And again in the ‘RAG Time’ Show, at Global Gallery, Paddington, 2011.
2009
‘The Presumption of Regularity’
‘Reality Cheque’ – ATVP, Newtown.
‘Breathing Space’ – Hawksbury Regional Gallery, Windsor.
‘Trauma Porn’ – ATVP, Newtown.
During the SIEV X affair Tony Kevin, a high ranking government official, claims the then Liberal Government relied on the ‘presumption of regularity’ to cover activities that breached international maritime conventions and covenants.
The crew of Bock’s Car, following the blessing from a catholic priest, dropped ‘fat man’ on Nagasaki missing its target by a mile and destroying the Mitsubishi torpedo factory. Collateral damage was the Urakami Catholic Cathedral and half Nagasaki’s 14,000 Catholics who had long been persecuted by the local authorities.
In Australia ‘our’ answer to queue jumpers, was to strip them of their humanity locked away in detention centres; some would eventually be driven insane and/or perform acts of self harm. These people – legitimate asylum seekers – were attempting to escape the bombing that has been unleashed upon civilians in countries ‘we‘ are invading while providing for ‘our‘ (and our allies) ‘energy security’ – i.e. profits.
Thanks to the GreenWay Project for the ‘fallen limbs’.
2001
Palimpsest 4
The project was underpinned by a concern for sustainable husbandry and manufacturing. Materials were found, reclaimed and purchased. Fabrics include hemp (subject of research trials), cotton (a large scale crop with its own chemical load), and charcoal (a potential new industry). Materials that, along with flax, the oil from various seeds, and earths, form the basis of traditional painting techniques. Western White Gum (Chinchilla) was obtained after viewing ABC Landline program. The project was a response to the theme of sustainable use of resources and the effects of salination of the Murray and surrounding environment.
The bicycle is still one of the most extensively used and least polluting forms of transport and a reliable workhorse. The bicycle has become an integral part of my practice, a necessary and affordable intervention into contemporary, motor-vehicle dependent lifestyle. I rode from Mildura, via Virginia, to Goolwa at the mouth of the Murray. One of the most bizarre moments of the ride was crossing the Murray River at Blanchetown.
